As you may remember from a previous post, my adorable but misbehaving puppy recently ate some crucial pages of The Swan Thieves, (pages 404-478 to be exact). Well, I had gotten so hooked by Elizabeth Kostova's story by page 403 that I just had to secure a second, non-doggy-destroyed copy of the tome so that I could find out what happened in the last 200 pages. Thankfully, Border's going-out-of-business sale meant that even though I bought the book two times, I only paid the equivalent of one full-price book...silver lining!

So what makes a book so nice that it's worth buying twice? I've got one word for you: PLOT. Swan Thieves is a history, a romance, and a mystery all rolled into one, taking the reader on an adventure that explores one artist, his crippling obsession, and the women who loved him. Interestingly, the main protagonist of the book is neither the artist (Robert Oliver) or his lovers; it is Oliver's psychiatrist, Andrew Marlow, who--in his quest to understand the specters haunting his patient--leaves professional propriety behind and falls down Oliver's rabbit hole.
While I certainly found the story compelling, Swan Thieves is not without flaws. Kostova chooses to use multiple narrators to construct the story, and while this technique allows her to unravel the plot in an interesting and non-chronological fashion, she doesn't take the time to develop characters' distinct voices. In fact, whether it's Marlow the psychiatrist or Beatrice the 19th century artist, all of the narrators manage to speak in a remarkably similar (and at times rather dry) tone. For me, one of the primary joys of reading is getting lost in a character's unique voice, and I just didn't find that in Swan Thieves. However, it was still a fantastic read, and one I recommend if you like the sound of a more academic DaVinci Code.

